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Aanjar.

..... ....On your way to the arcaded palace ahead, notice the numerous slabs of stone that cover the top of what was the city's drainage and sewage system. These manholes are convincing evidence of the city's well-planned infrastructure.
The great or main palace itself was the first landmark to emerge in 1949 when Aanjar was discovered. One wall and several arcades of the southern half of the palace have been reconstructed. As you stand in the 40-square-meter open courtyard, it is easy to picture the palace towering around you all four sides. Just to the north of the palace are the sparse remains of a mosque measuring 45x32 meters. The mosque had two public entrances and a private one for the caliph. If you enjoy a good game of archaeological hide and seek, the second palace is the place for you. It is decorated with much finer and more intricate engravings, rich in motifs borrowed from the Greco-Roman tradition. Very little reconstruction has been done to this palace so its floors and grounds are in their natural state. With patience you will find stone carvings of delightful owls, eagles, seashells and the famous acanthus leaves.
More evidence of the Umayyad dependence on the architectural traditions of other cultures appears some 20 meters north of this second palace. These Umayyad baths contain the three classical sections of the Roman bath: the vestiary where patrons changed clothing before their bath and rested afterwards, and three rooms for cold, warm and hot water. The size of the vestiary indicates the bath was more than a source of physical well-being but also a center of social interaction. A second, smaller, bath or similar design is marked on the map.
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Decree N. 2385 of 17/1/1924 as amended by law N. 76 of 3/4/1999 ( articles 2, 5, 15, 49 and 85 ) lays down as follows:
The author of a literary or artistic work, by the very fact of authorship, has absolute right of ownership over the work, without obligation of recourse to formal procedures . The author will himself enjoy the benefit of exploitation of his work, and he possesses exclusive rights of publication and of the reproduction under any form whatsoever. Whether the work in question comes under the public domain or not those persons will be liable to imprisonment for a period of one to three years and to fine of between five and fifty million Lebanese pounds, or to either one of these penalties, who
1-will have appended or caused to be appended a usurped name on a literary or artistic work;
2-will have fraudulently imitated the signature or trademark adopted by an author, with a view to deceiving the buyer;
3-will have counterfeited a literary or artistic work;
4-or will have knowingly sold, received, or put on sale or into circulation a work which is counterfeit or signed with a forged signature.
The punishment will be increased in the event of repetition.